Volume I | Issue no. 5
The Role of Shape In Logo DesignThe brain acknowledges and remembers shape first. It has to do with the four regions of the brain known as V1, V2 , V3 and V4. Researchers have been able to show that visual information flows from the eyes to the V1 sector first and then moves toward higher processing areas like V4, where increasingly complex properties of the object are analyzed and encoded. V1 represents very simple properties like orientation, color and direction of motion. Shape recognition is inherent in the way we learn. Whether it be geometric or something more organic, a distinctive shape is memorable long after it leaves our view. In order to read, one must have an ability to distinguish and recognize the shape of letters and the distance between words. Each letter becomes associated with a meaning and also a sound. In our research of travel and destination brand identities, we have found that there are actually very few logos that rely on a unique, well-defined shape. Too often, logos in this category rely solely on their name as the main image. The problem is that, while a well-designed wordmark can appear powerful, research shows that a wordmark that has a distinctive shape or is integrated within a distinctive shape is far easier to remember. See how many of these logo shapes you can recognize
You will find the answer key here. Many logos have distinctive shapes that also combine the initial(s) of the brand into the icon. The “W” from the W Hotels is one of our favorites. The styling of the simple “W” is clean, modern and streamlined and has distinctive points that create its shape. The bottom of the“W” and the center top point are razor sharp.
You could argue that the W Hotels logo is a word mark as they capitalize on the simplicity of their name, but you wouldn't confuse them with any other hotel that begins with a “W”. Theirs is a powerful use of shape and language, creating a completely ownable logo. | ||
This is a wonderful article. Beautifully and cleanly written. The documentation is persuasive and relevant. A terrific job on a potentially dull subject.
Thanks for this great, detail-packed newsletter. I really enjoyed your examination of logos from different angles. Design is not my strong suit, but I once heard something that seemed to make a lot of sense and stuck with me. I was told that a good logo can be easily drawn in the sand with a stick. I've measured the logos that have struck me as effective over the years against this principle, and it has really stood the test. The Windham logo you mention certainly passes this test. I'd love to read your thoughts on this.
Mark
There is some truth to your comment about being able to draw a logo from memory. I don't necessarily apply 'anyone has to be able to draw it' rule in order for a logo to be a good logo, but that benefit can help a logo have what I call the sticky factor.
Take for example the Peace Symbol. Anyone can draw it and they did - and still do. There are very few symbols that work that way and certainly very few that have become a movement. But because everyone can draw it and get it right, even if it is a scribble it can be adopted easily and grow. This enables that sticky factor. That doesn't mean it is a well designed logo, only a sticky one.
I loved reading this. It definitely took me back to your Graphic Design for Corporate Identity class, and helped in brushing up on my brand identity knowledge. Especially since I have to rebrand how the United Arab Emirates is viewed on the web. Thanks!
Thank you for sharing. It's always great to go back to the core of branding and remember why a logo is so important. This has reminded me that my love really is graphic design, something I seem to slowly be forgetting while working in the toy industry.